Publications

Reviews

  • Maria M. Delgado. (2020). “Culture Matters: Lluía Pasqual, Pedro Almodóvar and Spain’s Cultural Sector Respond to the Seeming Indifference of the Country’s Minister of Culture,” The Theatre Times (28 April) LINK

  • Maria M. Delagdo. (2019). “‘Petróleo/Petroleum’ – Piel de Lava’s Performed Deconstruction of Masculinity,” The Theatre Times (27 November), LINK
    “Staging Forgotten Histories: ‘Kingdoms’ at the Sarmiento Theatre,” The Theatre Times (30 November) LINK

  • Maria M. Delagdo. (2019). “Colonialism, farce and absurdism: Ignacio Bartolone’s ‘Piedra sentada, pata corrida/Sitting Stone, Running Foot’,” The Theatre Times (6 December),
    LINK
    ‘Life on the road: Mauricio Kartun’s “La vis cómica/A Humorous Streak’, The Theatre Times (7 December) LINK

  • Maria M. Delagdo. (2019). “Trying to transition with Asperger’s: Diego Casado Rubio’s ‘Millones de segundos’,” The Theatre Times (13 December), “Isabelita Perón in the spotlight: ‘Happyland’ at Buenos Aires’ Teatro San Martín,” The Theatre Times (14 December). LINK

  • Bryce Lease. (2020). “Der Kirschgarten (The Cherry Orchard)” dir. Yana Ross, Theatre Journal, Vol 72, No. 3.

  • Maria M. Delgado. (2019). “10 Years On: Miguel del Arco's ‘The Play to Be Done’ In Its Swansong Run,” Theatre Times. LINK

  • Maria M. Delgado. (2019). “Cinema is My Life: Interview with Pedro Almodóvar,” Sight & Sound, 29.9, 38-40

  • Maria M. Delgado. (2019). “The return of the repressed: the ghosts of the past haunt Barcelona’s stages,” European Stages, vol. 13. LINK

  • Maria M. Delgado. (2019). “A politics of memory on the Madrid stage,” European Stages, vol. 13. LINK

  • Bryce Lease. (2019). “Vienos Ienos Miško Pasakos” (Tales from Vienna Woods) at Lithuanian State Youth Theatre, Theatre Times. LINK

  • Maria M Delgado. (2019). World premiere of completed Lorca play “The Dream of Life” opens in Madrid. Theatre Times. LINK

  • Maria M Delgado. (2019). Warring siblings: Bárbara Lennie and Irene Escolar in Pascal Rambert’s sell out Madrid run of “Sisters.” Theatre Times. LINK

  • Maria M Delgado. (2019). Staging Difficult Pasts: “My Girl, My Little Girl” Madrid’s Espańol Theatre. Theatre Times. LINK

  • Maria M Delgado. (2019). Misogyny on Trial: Miguel Del Arco’s Verbatim Production Offers a New Trial for ‘La Manada’. Theatre Times. LINK

  • Maria M Delgado. (2019). “Port Arthur:” Uncomfortable Verbatim Theatre. Theatre Times. LINK

  • Maria M. Delgado. (2019). Sergi López heads an impressive cast in Andrés Lima’s staging of Juan Mayorga’s The Boy at the Back. Theatre Times. LINK

  • Maria M Delgado. (2019). José Sacristán brings Miguel Delibes back to the Spanish Stage. Theatre Times. LINK

  • Maria M. Delgado. (2018). “Corruption, capitalism, class, memory and the staging of difficult pasts: Barcelona theatre and the summer of 2018,” European Stages, vol. 12. LINK

  • Maria M. Delgado. (2018). “Reframing past and present: Madrid theatre 2018,” European Stages, vol. 12. LINK

  • Bryce Lease. (2018). “BITEF 52, World Without Us: Fascism, Democracy and Difficult Futures,” European Stages, vol. 12. LINK

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Articles

  • Michal Kobialka, “On Interruption: Working Through the Past and the Arts,” Performance Research 26.3 (May 2021).

  • Michal Kobialka, “Tadeusz Kantor: Widma przeszłości/Tadeusz Kantor: Spectres of the Past,” Tadeusz Kantor.Widma/Spectres (Kraków: Cricoteka, 2020), pp. 15-48.

  • Bryce Lease, “Staging Difficult Pasts: praca pamięci/Staging Difficult Pasts: The Labour of Remembrance,” Tadeusz Kantor.Widma/Spectres (Kraków: Cricoteka, 2020), pp. 127-145.

  • Bryce Lease, “Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity,” Critical Stages/Scènes critiques, Issue 20 (2019). LINK

  • Cecilia Sosa and Philippa Page, “Performing Future Affiliations in Argentine Spaces of Memory,” Mezosfera 7 (2019). LINK

  • Cecilia Sosa and Philippa, “Diary of a documentary in the making: filming the local imaginaries of post-dictatorship Argentina,” Comunicación y Medios 39 (2019), pp. 186-197. LINK

  • Cecilia Sosa, “Desde los ojos del Otro: Lola Arias y el teatro como transformación. Una entrevista con Lola Arias,” Primer Acto (Madrid, 2019).

  • Maria M. Delgado, “Civility, Empathy, Democracy and Memory : Exploring the 'we' in compromised times,” Performance Research 23.4 (December 2018). LINK

  • Michal Kobialka, “On Interruption: Working Through the Past and the Arts,” Performance Research 26.3 (May 2021).

  • Michal Kobialka, “Tadeusz Kantor: Widma przeszłości/Tadeusz Kantor: Spectres of the Past,” Tadeusz Kantor.Widma/Spectres (Kraków: Cricoteka, 2020), pp. 15-48.

  • Bryce Lease, “Staging Difficult Pasts: praca pamięci/Staging Difficult Pasts: The Labour of Remembrance,” Tadeusz Kantor.Widma/Spectres (Kraków: Cricoteka, 2020), pp. 127-145.

  • Bryce Lease, “Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity,” Critical Stages/Scènes critiques, Issue 20 (2019). LINK

  • Cecilia Sosa and Philippa Page, “Performing Future Affiliations in Argentine Spaces of Memory,” Mezosfera 7 (2019). LINK

  • Cecilia Sosa and Philippa, “Diary of a documentary in the making: filming the local imaginaries of post-dictatorship Argentina,” Comunicación y Medios 39 (2019), pp. 186-197. LINK

  • Cecilia Sosa, “Desde los ojos del Otro: Lola Arias y el teatro como transformación. Una entrevista con Lola Arias,” Primer Acto (Madrid, 2019).

  • Maria M. Delgado, “Civility, Empathy, Democracy and Memory : Exploring the 'we' in compromised times,” Performance Research 23.4 (December 2018). LINK

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Book Chapters

  • Alma Prelec, “Theatre and Civil War: Yugoslavia re-imagines Spain,” in The Unsafe Stage: Daring Adaptations, Creative Failures and Experimental Performances in Iberian and Transnational Contexts, eds. Maria del Pilar Chouza-Calo, Esther Fernández and Jonathan Thacker (Liverpool: Liverpool University Press), forthcoming.

  • Michal Kobialka, “Kantor’s Objects: Materialism of the Encounter,” in Theatremachine: Tadeusz Kantor in Context, eds. Magda Romanska and Kathleen Cioffi (Chicago: Northwestern University Press, 2020), pp. 17-28.

  • Maria M. Delgado, “Jordi Galceran and Juan Mayorga: Unravelling the present, narrativizing the past,” eds. Maria M Delgado, Bryce Lease & Dan Rebellato, Contemporary European Playwrights (London: Routledge, 2020).

  • Bryce Lease, “Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents,” eds. Maria M Delgado, Bryce Lease & Dan Rebellato, Contemporary European Playwrights (London: Routledge, 2020).

  • Maria M. Delgado, ”Ways of remembering Las Malvinas/The Falklands” in Lola Arias: Reenacting Life, ed. Jean Graham-Jones (Aberystwyth: Performance Research Books, 2019), pp. 294-301.

  • Cecilia Sosa, “Affective Architectures of the Real: Hotel Maids (2010, Lola Arias),” in Lola Arias: Re-enacting life, ed. Jean Graham-Jones (Aberystwyth: Performance Research Books, 2019). LINK

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Books

  • Tadeusz Kantor's Memory: Other Pasts, Other Futures, eds. Michal Kobialka and Natalia Zarzecka (Kraków: TAPAC: Theatre and Performance Across Cultures, 2018). LINK

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