• Maria M Delgado (2020) ‘Culture Matters: Lluía Pasqual, Pedro Almodóvar and Spain’s Cultural Sector Respond to the Seeming Indifference of the Country’s Minister of Culture’,  The Theatre Times (28 April), LINK
  • Maria M Delagdo. (2019). ‘“Petróleo/Petroleum” – Piel de Lava’s Performed Deconstruction of Masculinity’ The Theatre Times (27 November), LINK
    ‘Staging Forgotten Histories: “Kingdoms” at the Sarmiento Theatre’, The Theatre Times (30 November) LINK
  • Maria M Delagdo. (2019). ‘Colonialism, farce and absurdism: Ignacio Bartolone’s “Piedra sentada, pata corrida/Sitting Stone, Running Foot”, The Theatre Times (6 December),
    ‘Life on the road: Mauricio Kartun’s “La vis cómica/A Humorous Streak’,
    The Theatre Times (7 December) LINK
  • Maria M Delagdo. (2019).  ‘Trying to transition with Asperger’s: Diego Casado Rubio’s “Millones de segundos”’, The Theatre Times (13 December), ‘Isabelita Perón in the spotlight: “Happyland” at Buenos Aires’ Teatro San Martín’, The Theatre Times (14 December) LINK
  • Bryce Lease. (2020). ‘Der Kirschgarten (The Cherry Orchard)’ dir. Yana Ross, Theatre Journal, Vol 72, No. 3.
  • Maria M. Delgado. (2019). 10 Years On: Miguel del Arco's “The Play to Be Done” In Its Swansong Run. Theatre TimesLINK
  • Maria M. Delgado. (2019). Cinema is My Life: Interview with Pedro Almodóvar. Sight & Sound, 29.9, 38-40
  • ‘The return of the repressed: the ghosts of the past haunt Barcelona’s stages, European Stages, vol. 13 (2019), Maria Delgado, LINK
  • ‘A politics of memory on the Madrid stage’, European Stages, vol. 13 (2019),
    Maria Delgado,
  • “Corruption, capitalism, class, memory and the staging of difficult pasts: Barcelona theatre and the summer of 2018”, Maria M. Delgado, LINK
  •  “Reframing past and present: Madrid theatre 2018”, Maria M. Delgado, LINK
  • “BITEF 52, World Without Us: Fascism, Democracy and Difficult Futures”, Bryce Lease, LINK
  •  ‘Vienos Ienos Miško Pasakos’ (Tales from Vienna Woods) at Lithuanian State Youth Theatre, Theatre Times (2019), Bryce Lease LINK
  • Maria M Delgado. (2019). World premiere of completed Lorca play “The Dream of Life” opens in Madrid. Theatre Times. LINK
  • Maria M Delgado. (2019). Warring siblings: Bárbara Lennie and Irene Escolar in Pascal Rambert’s sell out Madrid run of “Sisters”. Theatre Times LINK
  • Maria M Delgado. (2019). Staging Difficult Pasts: “My Girl, My Little Girl” Madrid’s Espańol Theatre. Theatre Times LINK
  • Maria M Delgado. (2019). Misogyny on Trial: Miguel Del Arco’s Verbatim Production Offers a New Trial for ‘La Manada’. Theatre Times LINK
  • Maria M Delgado. (2019). “Port Arthur:” Uncomfortable Verbatim Theatre. Theatre Times, LINK
  • Maria M Delgado. (2019). Sergi López heads an impressive cast in Andrés Lima’s staging of Juan Mayorga’s The Boy at the Back. Theatre Times LINK
  • Maria M Delgado. (2019). José Sacristán brings Miguel Delibes back to the Spanish Stage. Theatre Times, LINK


  • Michal Kobialka, "Tadeusz Kantor: Widma przeszłości/Tadeusz Kantor: Spectres of the Past", Tadeusz Kantor.Widma/Spectres (Kraków: Cricoteka, 2020), pp. 15-48.
  • Bryce Lease, "Staging Difficult Pasts: praca pamięci/Staging Difficult Pasts: The Labour of Remembrance", Tadeusz Kantor.Widma/Spectres (Kraków: Cricoteka, 2020), pp. 127-145.
  • Bryce Lease. (2019). ‘Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity’, Critical Stages/Scènes critiques, Issue 20 LINK
  • Cecilia Sosa and Philippa Page. (2019). ‘Performing Future Affiliations in Argentine Spaces of Memory’, Mezosfera 7.  LINK
  • ‘Diary of a documentary in the making: filming the local imaginaries of post-dictatorship Argentina’, Comunicación y Medios, (39), 186-197 (2019), Cecilia Sosa and Philippa Page, LINK
  • ‘Desde los ojos del Otro: Lola Arias y el teatro como transformación. Una entrevista con Lola Arias’, Primer Acto. Madrid (2019). Cecilia Sosa
  • “Civility, Empathy, Democracy and Memory : Exploring the 'we' in compromised times”, Performance Research 23.4, 2018, Maria M. Delgado LINK


Maria M Delgado. ‘Ways of remembering Las Malvinas/The Falklands’ in Lola Arias: Reenacting Life, edited by Jean Graham-Jones (Aberystwyth: Performance Research Books, 2020), pp. 294-301.

Michal Kobialka. ‘Kantor’s Objects: Materialism of the Encounter’, in Theatremachine: Tadeusz Kantor in Context, eds. Magda Romanska and Kathleen Cioffi (Chicago: Northwestern University Press, 2020), pp. 17-28.

Maria M Delgado. (2020). ‘Jordi Galceran and Juan Mayorga: Unravelling the present, narrativizing the past’, eds. Maria M Delgado, Bryce Lease & Dan Rebellato, Contemporary European Playwrights (London: Routledge).

Bryce Lease. (2020). ‘Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents’, eds. Maria M Delgado, Bryce Lease & Dan Rebellato, Contemporary European Playwrights (London: Routledge).

“Affective Architectures of the Real: Hotel Maids (2010, Lola Arias)”, Cecilia Sosa, in Lola Arias: Re-enacting life, edited by Jean Graham-Jones. Performance Research Books (2019). LINK


  • Tadeusz Kantor's Memory: Other Pasts, Other Futures
    Edited by Michal Kobialka and Natalia Zarzecka
    Kraków: TAPAC: Theatre and Performance Across Cultures, 2018 LINK

STAGING DIFFICULT PASTS is an AHRC funded project: Grant reference: AH/R006849/1