• Maria M. Delgado. (2019). 10 Years On: Miguel del Arco's “The Play to Be Done” In Its Swansong Run. Theatre TimesLINK
  • Maria M. Delgado. (2019). Cinema is My Life: Interview with Pedro Almodóvar. Sight & Sound, 29.9, 38-40
  • ‘The return of the repressed: the ghosts of the past haunt Barcelona’s stages, European Stages, vol. 13 (2019), Maria Delgado, LINK
  • ‘A politics of memory on the Madrid stage’, European Stages, vol. 13 (2019),
    Maria Delgado,
  • “Corruption, capitalism, class, memory and the staging of difficult pasts: Barcelona theatre and the summer of 2018”, Maria M. Delgado, LINK
  •  “Reframing past and present: Madrid theatre 2018”, Maria M. Delgado, LINK
  • “BITEF 52, World Without Us: Fascism, Democracy and Difficult Futures”, Bryce Lease, LINK
  •  ‘Vienos Ienos Miško Pasakos’ (Tales from Vienna Woods) at Lithuanian State Youth Theatre, Theatre Times (2019), Bryce Lease LINK
  • Maria M Delgado. (2019). World premiere of completed Lorca play “The Dream of Life” opens in Madrid. Theatre Times. LINK
  • Maria M Delgado. (2019). Warring siblings: Bárbara Lennie and Irene Escolar in Pascal Rambert’s sell out Madrid run of “Sisters”. Theatre Times LINK
  • Maria M Delgado. (2019). Staging Difficult Pasts: “My Girl, My Little Girl” Madrid’s Espańol Theatre. Theatre Times LINK
  • Maria M Delgado. (2019). Misogyny on Trial: Miguel Del Arco’s Verbatim Production Offers a New Trial for ‘La Manada’. Theatre Times LINK
  • Maria M Delgado. (2019). “Port Arthur:” Uncomfortable Verbatim Theatre. Theatre Times, LINK
  • Maria M Delgado. (2019). Sergi López heads an impressive cast in Andrés Lima’s staging of Juan Mayorga’s The Boy at the Back. Theatre Times LINK
  • Maria M Delgado. (2019). José Sacristán brings Miguel Delibes back to the Spanish Stage. Theatre Times, LINK


  • ‘Diary of a documentary in the making: filming the local imaginaries of post-dictatorship Argentina’, Comunicación y Medios, (39), 186-197 (2019), Cecilia Sosa and Philippa Page, LINK
  • ‘Desde los ojos del Otro: Lola Arias y el teatro como transformación. Una entrevista con Lola Arias’, Primer Acto. Madrid (2019). Cecilia Sosa
  • “Civility, Empathy, Democracy and Memory : Exploring the 'we' in compromised times”, Performance Research 23.4, 2018, Maria M. Delgado LINK
  • “Affective Architectures of the Real: Hotel Maids (2010, Lola Arias)”, Cecilia Sosa, in Lola Arias: Re-enacting life, edited by Jean Graham-Jones. Performance Research Books (2019). LINK


  • Tadeusz Kantor's Memory: Other Pasts, Other Futures
    Edited by Michal Kobialka and Natalia Zarzecka
    Kraków: TAPAC: Theatre and Performance Across Cultures, 2018 LINK

STAGING DIFFICULT PASTS is an AHRC funded project: Grant reference: AH/R006849/1